A certain artist (based in the Philippines might I add) recently made a J.CO (Indonesian donut restaurant chain) gijinka recently, and people accused them of whitewashing their gijinka because the character’s skin was too bright.
I, as an Indonesian, am seriously offended.
Not by the gijinka,
but by the masses of people who are being offended ON MY BEHALF FOR THE WRONG REASONS.
The most insulting thing about this whole situation is that this website fucking auto-assumes that all brightly colored characters have been whitewashed and that this is always a bad thing and racist because of how things are in the West.
Hi.
Indonesia is not the United States. Indonesia is not a country in Europe. Indonesia is a multicultural society in Asia made up mostly of Southeast Asians, Melanesians, and East Asians. You can NOT apply the same exact sensitivities and narrative to Indonesia as you can in the West.
…Let me give you a quick rundown:
Racism in Indonesia is not always about about a white skinned race oppressing a darker skinned race. If anything, it’s more to do with Xenophobia and Religion.
Following up on that, here’s the shocker: The DISCRIMINATED MINORITYin Indonesia has a lighter skin color than the PRIVILEGED MAJORITY.
East Asians, mostly Chinese, who generally have brighter skin tones than your regular Southeast Asian person, are regular targets of hate speech, discrimination, racism, and even a 1998 genocide that still strikes fear and opens up old wounds in their hearts upon mention.
PLEASE GET THAT INTO YOUR DENSE SKULL.
Indonesia has serious racial problems, but you can NOT automatically assume everything as from a western country perspective.
To do so is seriously, seriously racist.
The intention was “right” from your perspective, but please. Do your research, and don’t automatically always assume that light skin is whitewashing. You’re touching on a VERY sensitive and often radically different subject depending on which nation you are talking about.
It’s INSULTING to your fellow PoCs.
I feel insulted. I feel like this website just made a unanimous decision for me because I’m either too “uneducated” “uninformed”, “tolerant” or WHATEVER the fuck you think of Indonesians to feel offended for myself. This website made me think that the Indonesian restaurant chain CAN ONLY be run by Southeast Asians when there are hundreds, if not thousands of East Asian J.CO employees whose lives and stories, and struggle against discrimination you’ve just invalidated just because of your westernized view of racism.
AND TO TOP IT ALL OFF, THE ARTIST YOU’RE MAD AT IS A PoC FROM THE SAME REGION AS INDONESIA THEMSELVES, (the Philippines) AN ARTIST WHO HAD NO INTENTION OF WHITEWASHING. WHO JUST SAW REALLY NICE COLORS THAT WORKED AND THOUGHT IT WAS COOL. WHO KNOWS FULL WELL THE STRUGGLE SOUTHEAST ASIA HAS HAD AGAINST EUROPE IN THE COLONIAL PERIOD.
IT’S AS IF YOU’RE TRYING TO LECTURE A VICTIM ON WHY THEY SHOULD FEEL VICTIMIZED INSTEAD OF UNDERSTANDING OUR STORY. WHAT THE HELL IS WRONG WITH YOU, TUMBLR.
people who complain about dinosaurs “not being scary anymore” because its been discovered they have feathers and are closely related to/ancestors of birds are so bizarre like
its not about how scary they are, they are/were real life animals and what matters is learning more about them, not how well they fit into your science fiction horror film lol
can you imagine a 13 foot chicken running at you with full intent to eat you??? thats fucking terrifying holy shit
peacocks are synonymous with vain, frivolous beauty and they will attack cars. they will attack you while you try to get to your car. they’re like six feet of useless feathers and they will destroy you. imagine if they were carnivorous and had functional spurs.
a t-rex could look like a gay disco ball and i guarantee that you would fucking book it if it had a problem with you
listen
listen
have you ever met a swan
if anything the birdier they get the scarier they are
Australia literally fought a war against giant birds AND FUCKING LOST
“Oh man, I can’t deal with birds ‘cause they’re dinosaurs and sometimes it’s like they get this glint in their eyes and they remember.”
“Have you ever interacted with a goose? ‘Cause those things are dicks.”
If chickens were still the size of a T-Rex we’d all be dead. No question.
Feathered creatures that give some serious lie to the idea that feathered dinosaurs ain’t scary:
This is a bearded vulture, or lammergeier. It’s four feet long and has a nine foot wingspan and it eats bones.
This is a shoebill stork. It dropped the duck without biting down shortly after the picture was taken, but if it had decided not to-
… it could have been the end of the road for that duck.
This is the last thing a fish sees before a macaroni penguin eats it.
This is a secretary bird in the act of demonstrating to Lord Voldemort that he came to the wrong neighborhood, ese.
This is a goose.
This is a vulture.
This is a cassowary on the attack.
Be glad I couldn’t find the actual gif of a pelican swallowing a fish, because it’s freakin’ Lovecraftian in its HEADS SHOULD NOT BEND THAT WAY factor. You’ll have to settle for the idea of a feathered dinosaur suddenly going GLORP and devouring its victims whole just like this lady here.
Steven Spielberg didn’t create these. These are the feet of an emu.
And this is what happens when a swan (this one is named Asboy; his father was Mr. Asbo, the first swan in the UK to get named after an anti-social behavior order in ‘honor’ of his tendency to attack boaters) decides it doesn’t like you. I should probably note that this one attacked a cow.
Respect the feathered dinosaur, yo.
Terrifying. The last two illustrate why you did not fuck around with the Children of Lir.
I suspected that a dinosaur could have been feathered after I heard that a T-Rex is the chickens’ ancestor.
For those who think dinos aren’t cool because they’re feathered…whatever, mutherfuckers. Evolution doesn’t give two shits what you think is cool or not.
You showed a cassowary on the attack, but forgot to show what exactly it’s attacking with. Their feet are nearly identical to the Emu’s, except for one minor, teeny tiny detail: A five-inch claw for killing motherfuckers, raptor-style.
This is like the “fuck birds master post” and I love it because Honestly, Fuck. Birds.
yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!
Sketchup is incredibly helpful. I can’t recommend it enough.
There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every
time I see it come around.
We live in a pretty great digital age and we have access to
a ton of amazing tools that artists in past generations couldn’t even dream of,
but a lot of people look at a cool trick and only learn half of the process of
using it.
Here’s the missing part of this tutorial:
How do you populate your backgrounds?
Well, here’s the answer:
If the focus is the environment, you must show a person in relation to
that environment.
The examples above are great because they show how to use the
software itself, but each one just kind of “plops” the character in front of
their finished product with no regard of the person’s relation to their
environment.
How do you fix this?
Well, here’s the simplest solution:
This is a popular trick used by professional storyboard and
comic artists alike when they’re quickly planning compositions. It’s simple and
it requires you to do some planning before you sit down to crank out that
polished, final version of your work, but it will be the difference between a background
and an environment.
Even if your draftsmanship isn’t that great (like mine),
people can be more immersed in the story you tell if you just make it feel like
there is a world that exists completely separate from the one in which they
currently reside – not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as
any other member of the cast. Make it as believable as they are.
Great comments and tutorials!
I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!
Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!
Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)
The armature can also be posed incredibly easily. I know programs exist for stuff like this – Manga Studio, Design Doll – but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.
By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!
Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.
We can even quickly and easily expand this scene to include more characters!
Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!
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